Originally published January 14, 2018.
For those who might not have heard, #NaMoPaiMo is National Model Painting Month, an international painting challenge in February between model horse hobbyists. It was founded and is run by Jennifer Buxton and is a fun online (and sometimes in-person) gathering of sharing progress, tips and fun.
Now in its second year, I will be participating again with another stablemate custom. I've chosen a Breyer G1 Thoroughbred mare who I am transforming into an Arabian mare. My January month will be spent finishing her sculpting and prepping her for next month's painting.
While I'm at it, I thought I'd walk you through her major changes, which I also thought would be a great insight for those wanting to know how to make great little stablemate customs.
Highlights form one of Colorado's largest live shows, the Rocky Mountain Spring Fling. My modest string of minis was at this show and many took home ribbons, as well as my newly debuted Little Lonestar. There was a lot of eye candy, so without further ado, here are my favorite highlights from the show.
Originally published February 20, 2018.
After the prior article on craftsmanship, I thought it would be great to have a super short but super illustrated look into why craftsmanship is so important to prepping. Consider this a mini tutorial for sanding.
Before I sprayed my NaMoPaiMo mare with primer, I honestly thought this girl was super smooth. But look! The first coat of primer showed that I couldn't have been more wrong. While not bad for the first pass of primer, clearly she needs more sanding, especially around the areas where I added epoxy.
Originally published February 17, 2018.
"Why doesn't mine look as good as that horse?"
"Why didn't mine win?"
Do questions like these sound familiar? While a number of factors affect the answer (especially to the question, "Why didn't I win?"), I am going to share with you one of the biggest factors I almost always see that distinguishes great customs from sub-par and winners from those that just placed. It's a little secret my art professors drilled into me, so it will help you in other areas of art too.
The secret is excellent craftsmanship.
Originally published August 22, 2016.
Each custom I attempt involves a little more sculpting, both additive and subtractive, than the last. It is both exciting and challenging to tackle a project a little more complex than anything else you have done, but it's the secret to growth.
This girl has been just that, both exciting because she is my first jumping custom and challenging because her neck presented all sorts of proportion and biomechanical problems.
Drastic customs in general are challenging, and to help you with your's, I'll walk you through some tips with today's post. Consider this walk-through a sort of mini tutorial.
The author of this blog and a model horse customizer, painter, and sculptor.
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