This month's vlog is part summary of my model horse art adventures and part oil painting process. It's not a tutorial, but it does give you a somewhat rare glimpse into one of the lesser filmed mediums in the model horse hobby.
Proper cleaning, conditioning and use are all key to getting cheap brushes to paint better and last longer. The tips discussed in this video are also key for keeping your premium and professional brushes in tip-top shape as well.
Many of us are visual learners. You can learn so much from watching a video on painting model horses that an article just doesn't quite compare. It helps techniques click when you can see it in real-time. Which is why I'm so grateful to other hobbyists who took the time out of their day to make video tutorials, and why I make my own. And, since it's NaMoPaiMo time, I've collected some of my favorite tutorials from YouTube, along with a few of mine, just for painting model horses. Maybe there's something in here you'd like to try on your 2020 NaMoPaiMo horse?
I don't normally have this many awesome projects in my studio at once, but due to circumstances, I have some time that I am taking advantage of. It's also the perfect time to get ready for NaMoPaiMo, painting my mini resin collection, and pumping out sales horses.
Today's NaMoPaiMo post talks about prepping and priming your horses for next month's National Model Painting Month. The video covers seven tips to make prepping easier and more fun, as well as how to work in the cold (since for most of us, February is a wintry month). In today's blog post, I'll also cover tools, supplies and how to troubleshoot common primer issues.
An overview of my three official horses from National Model Painting Month 2017, 2018 and 2019 with progress footage showing how I created them.
Today's video blog is a short and sweet review of my model horse customs and my hobby adventures, as well as the one year anniversary of my YouTube channel and all the model horse customizing video tutorials I have created since last December.
A visual story of how I transformed the old Breyer Lady Phase into a floating trot Criollo mare.
Originally published January 14, 2018.
For those who might not have heard, #NaMoPaiMo is National Model Painting Month, an international painting challenge in February between model horse hobbyists. It was founded and is run by Jennifer Buxton and is a fun online (and sometimes in-person) gathering of sharing progress, tips and fun.
Now in its second year, I will be participating again with another stablemate custom. I've chosen a Breyer G1 Thoroughbred mare who I am transforming into an Arabian mare. My January month will be spent finishing her sculpting and prepping her for next month's painting.
While I'm at it, I thought I'd walk you through her major changes, which I also thought would be a great insight for those wanting to know how to make great little stablemate customs.
Originally published February 20, 2018.
After the prior article on craftsmanship, I thought it would be great to have a super short but super illustrated look into why craftsmanship is so important to prepping. Consider this a mini tutorial for sanding.
Before I sprayed my NaMoPaiMo mare with primer, I honestly thought this girl was super smooth. But look! The first coat of primer showed that I couldn't have been more wrong. While not bad for the first pass of primer, clearly she needs more sanding, especially around the areas where I added epoxy.
Originally published February 17, 2018.
"Why doesn't mine look as good as that horse?"
"Why didn't mine win?"
Do questions like these sound familiar? While a number of factors affect the answer (especially to the question, "Why didn't I win?"), I am going to share with you one of the biggest factors I almost always see that distinguishes great customs from sub-par and winners from those that just placed. It's a little secret my art professors drilled into me, so it will help you in other areas of art too.
The secret is excellent craftsmanship.
The author of this blog and a model horse customizer, painter, and sculptor.
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